In fact, you can take a deep dive on essential chord relationships in our course 2-5-1 Soloing with Chord Tone Targets (Level 2). However, we are not advocating that ignorance of such rules provides some kind of advantage or bliss! On the contrary, a solid foundation of chord/scale relationships provides the necessary intuition to successfully apply chromaticism in improvisation. Indeed, we will encourage you to go beyond these traditional rules in today’s lesson. The essence of chord/scale relationships is that jazz chord symbols simultaneously represents both a chord and a scale. Chord/Scale Relationshipsīefore we dive head-first into chromaticism, it’s important to review the traditional principles of chord/scale relationships. In fact, the goal of today’s lesson is for you to learn to use chromaticism in your jazz piano improvisation just as Liebman describes. ![]() David Liebman, jazz educator, author and saxophonist “Chromaticism does not necessarily replace diatonicism, but co-exists alongside it.” Chromaticism does not necessarily replace diatonicism, but co-exists alongside it.” ¹ The artistic goal is to have more choices during improvisation and composing so that a deeper emotional and expressive palette can be realized. Liebman stats that “chromaticism doesn’t negate the use of diatonicism. However, legendary saxophonist and jazz educator David Liebman offers a more nuanced understanding. In one sense, diatonicism and chromaticism are opposites-particularly by definition. From a melodic perspective, bebop scales and blues scales are also examples of chromaticism. Harmonically speaking, secondary dominants, modal mixture and tritone substitutions are all examples of chromaticism. The simplest way to understand c hromaticism is as an adjective describing melody or harmony that is not diatonic. The chromatic scale contains all twelve pitches arranged in ascending or descending ½ steps-C, C♯/D♭, D, D♯/E♭, E, F, F♯/G♭, G, G♯/A♭, A, A♯/B♭, B.īe sure to check out this lesson’s Appendix-Unique Characteristics of the Chromatic Scale to learn more interesting facts about this one-of-a-kind scale. What is the Chromatic Scale?ĭefinition: the chromatic scale contains all twelve pitches arranged in ascending or descending ½ steps: C, C ♯ / D ♭, D, D ♯ / E ♭, E, F, F ♯ / G ♭, G, G ♯ / A ♭, A, A ♯ / B, B. Instead, jazz musicians commonly employ chromaticism (one or more notes of the chromatic scale) in tonal settings to create energy and expression. However, it rarely occurs in a performance setting in its entirety. The simplest expression the chromatic scale is an ascending or descending sequence of ½ steps. ![]() The chromatic scale encompasses all twelve notes of Western harmony. If the idea that “rules are made to be broken” excites the rebel in you, then you will absolutely love today’s lesson! Intro to the Chromatic Scale and Chromaticism
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